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Collage Study 1
by Mary A. Gravelle

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Title: Collage Study 1

Artist:  Mary A. Gravelle
Media: Oil on canvas, 20" x 24"


About this image:

I painted this image in the Spring of 2002. It is my first oil painting completed in a college art course, Painting 1 at Manchester Community College, Manchester, Connecticut, Instructor: Rick Harden.

I found this to be the perfect first oil painting project for the semester. 

We set up still life displays from items of our choice from Rick's well stocked shelves of odd pieces. Then, he laid out old wallpaper books and instructed us to create a collage of our still life out of the wallpaper sample pages using different colors and textures. 

This was going to teach us basic color mixing and texture techniques. After we completed the collage we were instructed to paint a picture that looked exactly like our collage. 

My stomach sank. "Are you kidding me?" I said to him. This seemed like an impossible task since I knew nothing of the medium and he had taught us no technique yet. We were to learn from the materials of the wallpaper and improvise our own technique for creating the colors and textures. This would also begin our thinking process about relating size and proportion of real objects to the painted canvas.

Isn't it funny that an innocent canvas, paint, and a collage that I loved, could instill such fear in me? Nonetheless, eight hours later, an almost perfect replica of my collage emerged. Be assured that these eight hours were filled with fears, doubts, and disbelief that I would be able to pull this caper off. 

The day of the due date, I spent four hours in the class studio putting on the final touches and really "seeing" the task before me. Being able to see every little nuance and detail and converting that into a visual representation is a lot like making love to the object of intent -- caressing the canvas with each stroke, seeing and feeling my way. 

I wanted my painting to look like the collage as much as was possible with my beginner's skill level. It was as if I needed to respect the collage as much as respect the oil painting that was taking form by mirroring themselves to each other.

I would later discover at the Queens MOMA Picasso/Matisse exhibit that Picasso painted in the collage style. I was fascinated by these paintings since I had completed one myself. And of course, Matisse became famous for his "cutouts", decoupages produced by cutting out colors of painted paper and applied by his assistants under his direction.

What a sense of pride and accomplishment I felt when I received the award in class that night for the painting that looked most like the collage! 

I was ready to tackle whatever the next project entailed. I felt like I could conquer anything now. That feeling was replaced slightly with a healthy dose of doubt again well into the next project; my first still life.

However, with each oil painting I did that semester, my confidence in perfecting the medium grew. I cannot wait to take Painting 2.

About my art process:

From taking these college level art courses, I am learning the differences between academic and expressive process art. I hope to integrate them one of these days. I think it is already happening. I can see evidence of this integration in my piece, Beautiful Bountiful Fruit Tree with the expressive tree and its realistic fruit.

I have intentionally hung out doing expressive process art for about ten years. I wanted to insure that the expression within was duly rewarded. I didn't want to inhibit what was inside by having to think in art world terms. 

I have heard horror stories from so many artists about how art school professors had intimated and judged and ridiculed them for having no talent that I gave myself the gift of expressing what needed to be expressed in the way it needed to come out. 

Now, fully grounded in my own expression, I find that I want to give that expression its full bounty. I want to pay attention to detail and relate what I see inside and be able to make it look like what I see. I want to convey the reality with expressiveness.

THE END 

What are your thoughts on this image and/or the writing? Please post your comments and share a little of yourself with us today. Thanks.

Posted: March 7, 2003
Written by Mary A. Gravelle
© 2003 Mary A. Gravelle

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Oct. 25
Nov. 8
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